Carnatic Music
கர்நாடக இசை
The classical music tradition of South India, built on the twin pillars of raga (melodic framework) and tala (rhythmic cycle), with a devotional repertoire dominated by the compositions of the 'Trinity of Carnatic Music.'
Carnatic music is one of the two major classical music traditions of the Indian subcontinent (alongside Hindustani music of the North), practiced predominantly across Tamil Nadu, Karnataka, Andhra Pradesh, and Kerala. Its theoretical architecture rests on 72 fundamental melakarta ragas from which countless derived ragas branch, paired with a sophisticated system of tala (rhythmic cycles) often rendered by hand gestures during performance. The devotional core repertoire owes an enormous debt to the 'Trinity of Carnatic Music' — Tyagaraja, Muthuswami Dikshitar, and Syama Sastri — all born within a few years of each other in the late 18th century in Thiruvarur. A Carnatic concert (kutcheri) typically opens with a varnam, proceeds through kritis (devotional compositions) interspersed with improvisational forms like raga alapana, niraval, and kalpana swaram, and often closes with lighter forms such as javali or tillana. Tamil Nadu's Margazhi (December–January) music season in Chennai, hosting hundreds of concerts across dozens of sabhas, is the tradition's single largest annual gathering.
South India, systematized c. 15th–18th century
- M. S. Subbulakshmi
- Semmangudi Srinivasa Iyer
- Maharajapuram Santhanam
- T. N. Krishnan
Veena, Mridangam, Violin, Flute (Venu)